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3D Historical Reconstruction · East Africa

East Africa
as it was.

3D reconstructions of East African cities and archaeological sites at precise moments in history — built from primary sources, field archives and real-time rendering.

3D
Real-time render
~1950
Mogadishu
IVth
Aksum
3
Languages
Built with
Real-time 3D Rendering Photogrammetry LiDAR Historical Archives Field Archaeology
01
Archaeological Site Reconstructions

From excavation data to photorealistic 3D — reconstructing what archaeological sites looked like before the ground swallowed them.

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02
East African Cities

Mogadishu in the 1950s, Aksum at its peak, Dodoma under colonial rule — cities captured at a precise moment, rebuilt in full 3D.

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IInd century · Somalia
Port of Opone — Flyover
Somalia · Opone
The Port of Opone

Aerial flyover of the ancient Somali trading port at its commercial peak — reconstructed from excavation data.

FlyoverExcavation dataPhotogrammetry
Xth century · Kenya
Gedi — Street immersion
Kenya · Gedi
Gedi — The Silent City

Ground-level immersion through the Swahili city of Gedi — mosques, palaces and coral-stone streets rebuilt from field surveys.

ImmersionField surveys3D
No
romanticisation.
Historical rigour.

Every reconstruction starts from primary sources — excavation reports, field photographs, soil stratigraphy, period plans.

Where sources are incomplete, uncertainty is documented — not filled with imagination.

~1950 · Somalia
Mogadishu — Street level
Somalia · Mogadishu
Mogadishu Before the War

Street-level immersion through 1950s Mogadishu — Italian colonial boulevards and traditional neighbourhoods from photographic archives.

ImmersionArchives3D
IVth century · Ethiopia
Aksum — Aerial view
Ethiopia · Aksum
Aksum at Its Peak

Aerial and street view of the kingdom of Aksum — obelisks, palaces and trade routes from archaeological excavations.

FlyoverArchaeology3D
A city
at a precise
moment.

Mogadishu in the 1950s is not a lost city. It is a living city with a history and inhabitants. Reconstructing it means showing what existed — without romanticism.

Every project is built from primary sources: archives, period plans, testimonies — rendered in full real-time 3D.

Historians, archaeologists, diaspora communities and curious minds are all welcome to contribute suggestions, sources or feedback.

You can also reach me directly:

[email protected]
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